Damien Chazelle’s intimate, overpowering Neil Armstrong film First Man opens with deafening rattles, a shaking that blurs what we half-see, swerving close-ups of the eyes of Armstrong (Ryan Gosling), and glimpses of primitive-looking dials with numbers that go up when they should be going down. It’s 1961 over the Mojave ... More »
from Vulture https://ift.tt/2CNgB73
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